Month Flat Week Day
Date: Wednesday, September 28, 2022 10:00 am - 5:00 pm
Categories: Arts & Culture *

Yale University Art Gallery

Address: 1111 Chapel St., New Haven, CT

203-432-0600
artgallery.yale.edu

Tuesday, Wednesday, and Friday: 10:00 am–5:00 pm
Thursday: 10:00 am–8:00 pm
Saturday–Sunday: 11:00 am–5:00 pm

Free and open to the public.

The Yale University Art Gallery collects, preserves, studies, and presents art in all media, from all regions of the globe and across time. The museum’s exceptional collection—numbering nearly 300,000 objects—is the core of its identity. It sustains and catalyzes all we do.

Founded in 1832, the Gallery is the oldest university art museum in America. Today, it is a center for teaching, learning, and scholarship and is a preeminent cultural asset for Yale University, the wider academic community, and the public. The museum is open to all, free of charge, and is committed to engaging audiences through thoughtful, creative, and relevant exhibitions, programs, and publications.

September 9, 2022–January 8, 2023
Bámigbóyè: A Master Sculptor of the Yorùbá Tradition
Bámigbóyè: A Master Sculptor of the Yorùbá Tradition is the first exhibition dedicated to the workshop of the Nigerian artist Moshood Olúṣọmọ Bámigbóyè (ca. 1885–1975). Part of a generation of Yorùbá woodcarvers with flourishing workshops in southwestern Nigeria, Bámigbóyè was highly regarded for the masks that he made in the 1920s and 1930s for ceremonies called Ẹpa. Today, these masks are considered some of the most spectacular and complex works of Yorùbá art ever created. Drawn from the collections of national and international museums, including the Yale University Art Gallery and the National Museum in Lagos, Nigeria, the masks and other sculptures in the exhibition—such as architectural elements from palaces and shrine complexes and objects made for a European clientele—present a nuanced account of the artist’s 50-year career. A selection of textiles, beadwork, metalwork, and ceramics situates Bámigbóyè’s work within the broader scope of 20th-century Yorùbá creative expression, while archival images show how his life and workshop practice reflect the artistic, religious, and political changes taking place in Nigeria at the time. With video footage of an Ẹpa performance staged by the artist’s family in honor of the exhibition Bámigbóyè: A Master Sculptor of the Yorùbá Tradition celebrates the global legacy of this artist while also underscoring his enduring importance to his community.

September 9, 2022–January 8, 2023
Fazal Sheikh: Exposures

Fazal Sheikh (born 1965) has spent his career photographing individuals and communities displaced by conflict and environmental change. Acclaimed for his intimate portraits, Sheikh collaborates closely with his subjects to better understand and share their stories. This exhibition features Sheikh’s newest body of work, Exposure (2017–22), as well as an earlier series, Erasure (2010–15). To make Exposure, set in the American Southwest, Sheikh worked closely with the Utah Diné Bikéyah Native American grassroots organization to examine the human and environmental costs of the exploitation of public lands. The expansive landscapes seen in the series pay homage to the spiritual significance of the land, while portraits and collected testimonies reveal the ongoing but often invisible effects of environmental racism, especially on Indigenous inhabitants. In Erasure, Sheikh presents aerial photographs that record the effects of cultivation, displacement, and climate change on the Negev Desert in southern Israel; the series also includes poignant portraits that put a human face to the struggle of Palestinian Bedouins to remain in villages slated for demolition.