Event Type : History

March 23 – September 8, 2024

Open Wednesday – Sunday from 10am to 4pm with free parking & admission except Good Friday (Friday, March 29), Holy Saturday (Saturday, March 30), Easter (Sunday, March 31), and Independence Day (Thursday, July 4).

True Presence: The Eucharist in History and Art is a celebration of Christ’s promise of salvation and eternal life through his body and blood. This exhibition was inspired by the United States Conference of Catholic Bishops’ National Eucharistic Revival, a three-year celebration that began in 2022 and includes the 10th National Eucharistic Congress in 2024. The exhibition features numerous components connected to the adoration of the Eucharist, including its origins, its appearance and influence in works of art, its celebration and reverence throughout history, and its associated miracles.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

March 23 – September 8, 2024

Open Wednesday – Sunday from 10am to 4pm with free parking & admission except Good Friday (Friday, March 29), Holy Saturday (Saturday, March 30), Easter (Sunday, March 31), and Independence Day (Thursday, July 4).

True Presence: The Eucharist in History and Art is a celebration of Christ’s promise of salvation and eternal life through his body and blood. This exhibition was inspired by the United States Conference of Catholic Bishops’ National Eucharistic Revival, a three-year celebration that began in 2022 and includes the 10th National Eucharistic Congress in 2024. The exhibition features numerous components connected to the adoration of the Eucharist, including its origins, its appearance and influence in works of art, its celebration and reverence throughout history, and its associated miracles.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

NXTHVN’s annual Keynote Conversation will be held on Thursday, May 2nd, 6 – 7 p.m. We are honored to have the esteemed photographer and historian, Dr. Deborah Willis in conversation with Dr. Kalia Brooks, NXTHVN’s interim executive director and director of programs and exhibitions. An artist, author and curator, Willis is University Professor and chair of the Department of Photography and Imaging at Tisch School of the Arts at New York University.

Please register to attend this free, in-person event. Seats will be available on a first come first serve basis. Doors open at 5:30PM.

Register at: https://www.eventbrite.com/e/keynote-dr-deborah-willis-in-discussion-with-dr-kalia-brooks-tickets-869327982397 

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

March 23 – September 8, 2024

Open Wednesday – Sunday from 10am to 4pm with free parking & admission except Good Friday (Friday, March 29), Holy Saturday (Saturday, March 30), Easter (Sunday, March 31), and Independence Day (Thursday, July 4).

True Presence: The Eucharist in History and Art is a celebration of Christ’s promise of salvation and eternal life through his body and blood. This exhibition was inspired by the United States Conference of Catholic Bishops’ National Eucharistic Revival, a three-year celebration that began in 2022 and includes the 10th National Eucharistic Congress in 2024. The exhibition features numerous components connected to the adoration of the Eucharist, including its origins, its appearance and influence in works of art, its celebration and reverence throughout history, and its associated miracles.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

March 23 – September 8, 2024

Open Wednesday – Sunday from 10am to 4pm with free parking & admission except Good Friday (Friday, March 29), Holy Saturday (Saturday, March 30), Easter (Sunday, March 31), and Independence Day (Thursday, July 4).

True Presence: The Eucharist in History and Art is a celebration of Christ’s promise of salvation and eternal life through his body and blood. This exhibition was inspired by the United States Conference of Catholic Bishops’ National Eucharistic Revival, a three-year celebration that began in 2022 and includes the 10th National Eucharistic Congress in 2024. The exhibition features numerous components connected to the adoration of the Eucharist, including its origins, its appearance and influence in works of art, its celebration and reverence throughout history, and its associated miracles.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.

“Shining Light on Truth” presents evidence of the essential role of enslaved and free Black people in New Haven and at Yale. It celebrates Black resistance and community building. And it illuminates knowledge kept alive in archives and memory for more than three centuries—even when the dominant culture choses to ignore, bury, or forget.

The exhibition features archival images of materials from Beinecke and other collections, connects to items in the New Haven Museum collections, and notes other local sites of memory. It introduces visitors to some of the unheralded builders of Yale. It celebrates early Black writers such as Jupiter Hammon, Jacob Oson, and William Grimes, and it showcases women such as Mary Ann Goodman, whose generosity opened paths for Black students at Yale, as well as the women who were local pioneers in Black education early in the 19th century.

The exhibition is located in the museum’s upper rotunda and an adjacent gallery room. That gallery has been made into a reading room that evokes a library of the Black college proposed, and thwarted, in New Haven in 1831. Visitors can view dozens of photographs of early Black Yale students and alumni, a number of whom grew up in New Haven. This reading room also features “school albums” with images and biographies of nearly 200 early Black Yale students, from James W. C. Pennington in the 1830s to Shirley Graham a century later in the late 1930s. It will also have bookcases with related texts and reproductions of archival materials. Visitors are encouraged to sit, read, and reflect in this library space.